Download Earl Hines mp3

Artist: Earl Hines: mp3 download    Genre(s):  Jazz Other     Discography:      Piano Man    Year: 2006    Tracks: 1      Blues in Thirds    Year: 2004    Tracks: 11      Jazz in Paris: Paris One Night Stand    Year: 2001    Tracks: 16      Earl Hines Plays Duke Ellington (cd1)    Year: 1992    Tracks: 12      At The Village Vanguard    Year: 1965    Tracks: 9      Once Upon A Time    Year:     Tracks: 1 Once called "the first modern jazz piano player," Earl Hines differed from the tread pianists of the twenties by breakage up the pace rhythms with unusual accents from his leftfield hand. While his right hand much played octaves so as to hoop clearly over ensembles, Hines had the trickiest left hand in the business, much suspending time recklessly but without e'er losing the beat. One of the all-time slap-up pianists, Hines was a major influence on Teddy Wilson, Jess Stacy, Joe Sullivan, Nat King Cole, and even to an extent on Art Tatum. He was likewise an underrated composer creditworthy for "Rosetta," "My Monday Date," and "You Can Depend on Me," among others. Earl Hines played trumpet briefly as a early days ahead switching to piano. His first major problem was consequent vocalizer Lois Deppe, and he made his first recordings with Deppe and his orchestra in 1922. The following year, Hines stirred to Chicago where he worked with Sammy Stewart and Erskine Tate's Vendome Theatre Orchestra. He started teaming up with Louis Armstrong in 1926, and the iI virtuoso musicians systematically divine each other. Hines worked briefly in Armstrong's full-grown band (formerly headed by Carroll Dickerson), and they unsuccessfully tried and true to oversee their own clubhouse. 1928 was one of Hines' most meaning long time. He recorded his first 10 piano solos, including versions of "A Monday Date," "Blues in Thirds," and "57 Varieties." Hines worked much of the year with Jimmy Noone's Apex Club Orchestra, and their recordings are also considered classic. Hines cut bright (and futuristic) sides with Louis Armstrong's Hot Five, resulting in such timeless gems as "West End Blues," "Fireworks," "Basin Street Blues," and their remarkable trumpet-piano duet "Weather Bird." And on his birthday on December 28, Hines debuted with his full-grown band at Chicago's Grand Terrace. A brilliant ensemble player as well as soloist, Earl Hines would lead big bands for the adjacent 20 long time. Among the key players in his band through the 1930s would be trumpeter/vocalist Walter Fuller, Ray Nance on trumpet and fiddle (prior to connexion Duke Ellington), trombonist Trummy Young, tenor saxist Budd Johnson, Omer Simeon and Darnell Howard on reeds, and transcriber Jimmy Mundy. In 1940, Billy Eckstine became the band's popular isaac Merrit Singer, and in 1943 (unfortunately during the musicians' transcription strike), Hines welcomed such modernists as Charlie Parker (on tenor), trumpeter Dizzy Gillespie, and isaac Merrit Singer Sarah Vaughan in what was the number 1 bebop orchestra. By the fourth dimension the strike ended, Eckstine, Parker, Gillespie, and Vaughan were gone, merely tenor Wardell Gray was still around to hotshot with the chemical group during 1945-1946. In 1948, the economic situation forced Hines to break up his orchestra. He linked the Louis Armstrong All-Stars, but three years of playing second tamper to his sometime acquaintance were difficult to take. After departure Armstrong in 1951, Hines moved to Los Angeles and by and by San Francisco, aim a Dixieland band. Although his style was practically more new, Hines unbroken the chemical group running end-to-end the fifties, at times featuring Muggsy Spanier, Jimmy Archey, and Darnell Howard. Hines did criminal record on a few occasions, merely was largely forgotten in the jazz earth by the early '60s. Then, in 1964, jazz writer Stanley Dance arranged for him to fiddle trey concerts at New York's Little Theater, both solo and in a foursome with Budd Johnson. The New York critics were stunned by Hines' chronic creative thinking and vitality, and he had a major comeback that lasted through the rest of his career. Hines traveled the domain with his foursome, recorded gobs of albums, and remained notable and far-famed up until his death at the age of 79. Most of the many recordings from his life history are currently available on CD.